I used a simple triad of almost only ultramarine blue, alizarin crimson, and quinacridone gold. The quinacridone gold being an earthy tone does not create the brighter flesh tones that I prefer. The bottom painting was done a while ago but I wanted to look at them together to compare the differences in saturation.
Adventures in Watercolor Painting and Sketching, Watercolour Magazine, with Charlie O'Shields
Recreating Designer Looks from the 20s to the 70s
Sustainability and Belonging through Textiles
Frank Hobbs' blog for Painting courses at Ohio Wesleyan University
Art lessons for kids and tips from an elementary art teacher.
Inspiration for creative folks like you.
Life through the eyes of an autistic
The Art of Jeff Gold
My Estonian Neighbor
Knitting ideas, inspiration and free patterns, plus crochet, weaving, and more
painter's progress step by step
squint your eyes 